Univers Zero's new album (since 10 years) follows the lineage of 'Phosphorescent Dreams', originally released only on CD in Japan in 2014, and reissued as an LP on the Sub Rosa label in 2019. Lueur is the fruit of two years' work and reflection, the foundations of which were laid by Daniel Denis (keyboards, drums, percussion...), then enriched by the contributions of Nicolas Dechêne (guitars), Kurt Budé (clarinet / bass clarinet) and Nicolas Denis (bass, percussion, vocals), all three present on Phosphorescent Dreams.
With this reduced line-up, Lueur offers a dense journey, rooted in the balance between power and calm, raging and serene sound. A balance, too, between complex arrangements and more contemplative moments. While this album continues the avant-rock tradition of Univers Zero, it also features some very short pieces, more electronic, tribal and haunting sounds, and voice work that is new to the U.Z. universe. Between tradition and subtle evolution, Lueur is a major new
contribution to the discography of this band, which will be celebrating its fiftieth anniversary in 2024.
Univers Zero represents one of the longest-living bands in Belgium.
It was established in 1974. Drummer Daniel Denis had the brilliant
idea to gather together a team of professionals sharing the same taste
for music. The band has adopted an instrumental progressive style.
Over the last couple of decades, the band has also implemented a series of influences from chamber music - most commonly, chamber music from the 20th century. Even if the line-up changes a lot over the years, the overall sound of UZ remained fairly consistent.
Record and production company managed by Guy Marc Hinant and Fred Walheer - releasing records in Electronics/ Experimental/ Unclassical/ Drone/ Noise/ Concrete/ Spoken Words/ Rare recordings/ Rituals genres.
Mysterious, yet nostalgic, Isolubilia is truly an ode to the romance found in the pursuit of a mystery. Musically rich in turbulence and serenity, majesty and humbleness, this album made me feel both lonely, yet understood as an isolated individual. Perhaps we're all fellow romantics, looking up at the same night sky, trying to wring our own meaning out of the stars. I hope that pursuit never ends. The John
No one does music quite like Camille and Xavier do. I see their music as being akin to soundtracks for unfilmed movies. In this instance it is a movie about explorers of mountainous terrain, perhaps the terrain of our lives. Merci pour cette musique si intrigante. :-) sumbuk