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New Series Framework #04 Inhumane Humans

by Novi_sad

supported by
Barry Moffatt
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Burton Thomas
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andywickell
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xavierlambert
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1.
Srebrenica 25:38
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2.
Aircraft Noises 13:22
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about

Novi_sad is the guise for Thanasis Kaproulias (b. 1980) who holds a degree from the Economic University of Piraues. He lives and works in Athens, Greece. Influenced by the pioneers of audio assault, he began generating sounds in 2005. No studies, no academic education, no scholarships, just pure learning by doing.
Amplified environmental recordings, drone manipulations, structured
ambient soundscapes, microtones vs overtones, all come together in a hyper structure of iconoclastic form. Novi_sad’s artistic output displays a high level of technical ability, as well as a sensitivity to the nuances of location. The strength of his soundscapes works in the same elaborateness for the whole creation process, starting from a basis of very strong conceptualism, the intense examinationof field recordings over the actual composition work,to the point of performing back the result onto location. Every sound that occurs is treated with a sculptural integrity and his sonic power operates on a level in which the audience participates as transcendental listeners.

Novi_sad is the mutated body that stands on the tips of it’s toes to look
over a wall of white noise. It reaches the edge, almost getting a glimpse
of what is on the other side. It almost sees.
And when it almost sees, then it hears.
And when it hears, it hears the sudden attack of static. And as it hears it looks: the sky is static and falls like a sonic ceiling collapsing on its sole inhabitant: Novi_sad.
Novi_sad is the sound of the shadow of the body that faces the wall of sound. The mutated body steps back from the wall. It is not a wall, it is a mirror. The mutated body looks at itself. It sees: an open mouth that is shouting to itself and is not heard, it sees closed ears bleeding for themselves that do not hear.
It says: lift sonic ceilings up over my head, push them up over the sky, as far as my arms can reach, as far as my eyes can see.
I will hear, I will here.

credits

released July 20, 2014

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Sub Rosa Label Brussels, Belgium

Record and production company managed by Guy Marc Hinant and Fred Walheer - releasing records in Electronics/ Experimental/ Unclassical/ Drone/ Noise/ Concrete/ Spoken Words/ Rare recordings/ Rituals genres.

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