Magritte, le Groupe Surréaliste de Bruxelles, Rupture (1926-1938) : Avant-garde in Belgium 1917-1978 / volume 2

by Sub Rosa Label

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1.	Louis Scutenaire : L'inimitié, la brouille, l'exclusion 01:25	buy track
2.	Marcel Mariën : Aspects de l'éthique surréaliste 04:02	buy track
3.	René Magritte et Paul Colinet : 48 heures 05:50	buy track
4.	Louis Scutenaire : De la violence 01:20	buy track
5.	ELT Mesens : A la base du surréalisme... 01:07	buy track
6.	Marcel Mariën : Pour un surréalisme apatride 03:32	buy track
7.	André Souris : Musique, ready made, expérimentation 04:02	buy track
8.	Marcel Lecomte : La revue Distance et la découverte de Scutenaire 01:45	buy track
9.	Louis Scutenaire : Mes inscriptions 03:11	buy track
10.	ELT Mesens : Poème 00:38	buy track
11.	Louis Scutenaire : De Maranzac, le comte de la Permission, le curé Meslier 05:33	buy track
12.	René Magritte : Le surréalisme et les questions 01:45	buy track
13.	Louis Scutenaire : Magritte 03:11	buy track
14.	Paul Delvaux : Travaux de peinture en 1923 01:31	buy track
15.	Constant Malva : Un écrivain prolétaire 02:24	buy track
16.	Achille Chavée : Commentaire sur le groupe Rupture 05:37	buy track
17.	Achille Chavée : Poème non intitulé (à ma mère) 01:14	buy track
18.	Achille Chavée : La Brigade internationale 01:43	buy track
19.	Fernand Dumont : XXV tiré du recueil "A Ciel Ouvert" 02:09	buy track
20.	Fernand Dumont : La grande Nocturne 01:50	buy track

about

This is the ultimate collection of archives of all the avant-garde in Belgium from Magritte to Broodthaers, from James Ensor to Christian Dotremont. 220 minutes of rare documents published in three parts.

Edited by Guy Marc Hinant

Including :
RENE MAGRITTE
MARCEL MARIËN
PAUL COLINET
LOUIS SCUTENAIRE
E.L.T. MESENS
ANDRE SOURIS
MARCEL LECOMTE
PAUL DELVAUX
CONSTANT MALVA
ACHILLE CHAVEE
FERNAND DUMONT

credits

released October 21, 2012

In this second volume you could hear rare documents including the voice of Magritte explaining why it's impossible to answer to the questions of journalists...

Brussels Surrealist Group, 1926
As a nucleus started forming in 1924 around Magritte, Nougé, Lecomte, etc., dissension arose, spawning Correspondance (1924-26) - extensively documented in Volume 1 - and the editorial activities of Magritte and Mesens: the only issue of Oesophage (1925), obviously influenced by Dada (Schwitters was a contributor), and then Marie (1926-27). Distances (1928) will finally bring together all the main forces from Brussels and abroad….

Surrealist territories...
The avant-garde is necessarily stateless, but I must carry on with this classification in order to make it heard. There is an urgency to do so. Things are fading out...

I am limiting myself to a geographical space comprised between France, Germany and The Netherlands, where the main language is French. This region's experiments and discoveries are missing in French and international anthologies. We will have to take care of it ourselves. This essay, believe me, has more to do with an ultimate, almost desperate attempt than with waving the flag of a region or country (in an advanced state of decay anyway). Again, I am aware of the flaws inherent to any such endeavour. But I could not and would not proceed differently. That is simply how it is.

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Sub Rosa Label Brussels, Belgium

Record and production company managed by Guy Marc Hinant and Fred Walheer - releasing records in Electronics/ Experimental/ Unclassical/ Drone/ Noise/ Concrete/ Spoken Words/ Rare recordings/ Rituals genres.

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