La lontananza nostalgica utopica futura / Nuctemeron, by Luigi Nono / Hans Van Eck

La lontananza nostalgica utopica futura / Nuctemeron

by Luigi Nono / Hans Van Eck

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1.	Start, Tapes 04:25	buy track
2.	Leggio 1 06:30	buy track
3.	Leggio 2 09:03	buy track
4.	Leggio 3 07:42	buy track
5.	Leggio 4 08:21	buy track
6.	Leggio 5 09:30	buy track
7.	Leggio 6 03:47	buy track
8.	Leggio 7 01:57	buy track
9.	Nuctemeron : 1st hour 02:31	buy track
10.	Nuctemeron : Transition 03:53	buy track
11.	Nuctemeron : 2nd hour 02:00	buy track
12.	Nuctemeron : Transition 05:00	buy track
13.	Nuctemeron : 3rd hour 03:47	buy track
14.	Nuctemeron : Transition 04:27	buy track
15.	Nuctemeron : 5th hour 05:14	buy track
16.	Nuctemeron : 6th hour 03:07	buy track
17.	Nuctemeron : 9th hour 03:00	buy track
18.	Nuctemeron : 11th hour 06:31	buy track
19.	Nuctemeron : 12th hour 04:37	buy track

about

The SCHRECK ENSEMBLE

NONO performed by

TIZIANA PINTUS violin,
HANS VAN ECK conducting, sound projection

VAN ECK performed by

CAROLINE ERKELENS voice, gong
AINHOA MIRANDA GIMENEZ bass, alto, b-flat clarinet
WILCO BOTERMANS stratifier
EVERT DE COCK mixing
JAN-KEES VAN KAMPEN computers
PIETER SUURMOND computers
HANS VAN ECK conducting, sound projection

credits

released May 26, 2013

Part one - features Luigi Nono's La Lontananza Nostalgica Utopica Futura (1992), an original title, a unique aesthetic metaphor even: one could say that the past reflected in the present [nostalgica] brings about a creative utopia [utopica]; the desire for what is known becomes a vehicle for what will be possible [futura] through the medium of distance. Performed by Tiziana Pintus /violin and Hans Van Eck /sound projection (The Schreck Ensemble).

Part two - features Hans Van Eck's Nuctemeron (2008), a spiritual voyage as described in the text of Apollonius of Tyana (93 AD) which serves as the basis for the performance, connected by intermissions. Aspects of number symbolism, the four elements and the road to spiritual perfection have found their way into the music.

LUIGI NONO
Italian avant-garde composer of classical music who remains one of the most prominent composers of the 20th century. Nono studied with Malipiero at the Venice Conservatory (1941-5) and with Maderna and Scherchen, both of whom orientated him towards 12-note serialism (he married Schönberg's daughter Nuria in 1955). His avant-garde partisanship was inseparable from a commitment to socialism, twin aspects of a revolt against bourgeois culture: hence his avoidance of normal concert genres in favour of opera and electronic music, his frequent recourse to political texts and his work in bringing music to factories. His works include the operas Intolleranza 1960 (1961) and Al gran sole carico d'amore (1975), The cantata Il canto sospeso (1956), orchestral works and tape pieces. Much of his music of the 1950s and 1960s has a fervent lyricism; later works tended to be more pessimistic (Ein Gespenst geht um in der Welt, 1971).

THE SCHRECK ENSEMBLE
The magic of sounds is for me the most important aspect of music. the foremost goal of my compositions is to make the listener experience sounds as they are, taking him beyond the surface of the music. my musical style might be described as lyrical and colourful. the use of live electronics and soundtracks is so integrated in my way of making music that i cannot do without it. I co-founded the Schreck Ensemble with the late Arie Van Schutterhoef in 1989 in order to perform music that combines the use of acoustic instruments with the new sounds offered by modern computer technology. my music is published by mcn/donemus, amsterdam and can be found on the internet www.schreck.nl.

Hans Van Eck

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Sub Rosa Label Brussels, Belgium

Record and production company managed by Guy Marc Hinant and Fred Walheer - releasing records in Electronics/ Experimental/ Unclassical/ Drone/ Noise/ Concrete/ Spoken Words/ Rare recordings/ Rituals genres.

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