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Sub Rosa Label Brussels, Belgium
Record and production company managed by Guy Marc Hinant and Fred Walheer - releasing records in Electronics/ Experimental/ Unclassical/ Drone/ Noise/ Concrete/ Spoken Words/ Rare recordings/ Rituals genres.
If you like Fluxus & NeoFluxus / Stolen Symphony (Vol. 1), you may also like:
Everywhere at the end of time
by The Caretaker
supported by 18 fans who also own “Fluxus & NeoFluxus / Stolen Symphony (Vol. 1)”
This is one of the best albums i've ever heard. I swear, I will never hear anything like it again. Don't tell anyone but I cried the first time I heard it.
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Does Spring Hide Its Joy
by Kali Malone (featuring Stephen O’Malley & Lucy Railton)
supported by 17 fans who also own “Fluxus & NeoFluxus / Stolen Symphony (Vol. 1)”
It took me three months to settle in the meterological pace of this monolith. But there is joy in forgetting the time. Fair warning: your boss might curse this album.
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Electroacoustic Works
by IANNIS XENAKIS
supported by 17 fans who also own “Fluxus & NeoFluxus / Stolen Symphony (Vol. 1)”
Some of the most gripping electronic music ever made.
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Common Metals
by Staubitz and Waterhouse
Experimental musicians Mary Staubitz and Russ Waterhouse turn field recordings into profound meditations on work and environment.
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Fractured Whole
by Cruel Diagonals
Every sound here is made using Megan Mitchell's voice, even though the music often sounds more like Earth’s vibrations than a human singing.
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An esoteric and eerie live performance from multi-instrumentalist J.P. Shilo conjures up haunting images with a multitude of dark tones.
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Everywhere, an empty bliss
by The Caretaker
supported by 16 fans who also own “Fluxus & NeoFluxus / Stolen Symphony (Vol. 1)”
I believe this is the end credits to The Caretaker. EATEOT, EAEB, And AEBBTW all share one thing in common, and I believe it is the feeling of making old music sounding older. The music Kirby presents us gives emotions that are mixture between sad, calm, and even fear. Kirby calls this feeling "Empty Bliss" and I think that phrase is perfect to describe this album and the rest of Kirby's work. May the ballroom remain eternal.
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