Experimental & Parametric Music 1976-2017, by Joris De Laet

Experimental & Parametric Music 1976-2017

by Joris De Laet

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Includes unlimited streaming of Experimental & Parametric Music 1976-2017 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Au plus de soleil, au plus de bruit (2007-08) 08:31	buy track
2.	Aural Silver (1993–1994) 09:48	buy track
3.	Cordes et Corps (2009) 08:29	buy track
4.	Signalisations (1976) 08:35	buy track
5.	Étude aux inattendus (2012) 08:22	buy track
6.	Masses d’algorithmes vers 12 zones chromatiques (1987) 11:03	buy track
7.	Madmatics (2002) 12:54	buy track
8.	Mnemosyne pour une acousmaman (2017) 04:27	buy track
9.	Paramétrique n° 4 – Parametrisch 4 (1981) 19:16	buy track
10.	Pour piano et pianiste (2005) 09:02	buy track
11.	Art Maniaque (2000) 11:01	buy track
12.	Amour Sacré (2005) 08:16	buy track

about

Through 'Experimental & Parametric Music 1976-2017', more than 40 years of the composer's work are unveiled. We discover here for the first time the great coherence of this work: from 'Signalisations' (1976) to 'Mnemosyne pour une acousmaman' (2017).
The twelve compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography.

Released in our Early Electronic series

Joris De Laet
He was born in 1947, Belgian by birth, self-taught by definition,
parametric music and art video composer by choice. Founder of the
S.E.M. (Studio voor Experimentele Muziek) in Antwerp, 1973.
Internships at the IPEM (Instituut voor Psychoakoestiek en
Elektronische Muziek) in Ghent, 1972–1975, under Karel Goeyvaerts,
Lucien Goethals, and Dr. Herman Sabbe.
De Laet is the founder of the SEMensemble, a group of musicians-composers specialized in performing experimental music and live electronics.
From 1975 until 1990, he gave concerts with this ensemble throughout
Europe (Germany, France, The Netherlands, Austria, Poland, Croatia,
etc.) and in Canada (Montreal, Kingston, Toronto).

Parametric Music
Inspired by the deep control on electronic sonics, he has been defining
his work since 1979 as 'Parametric Music,' music where composition
is based on transformation flows of one or several parameters, selected
by the composer, that form, through their converging (or diverging)
processes the main characteristics of the regulated sonics of
the composition.

credits

released April 21, 2017

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Sub Rosa Label Brussels, Belgium

Record and production company managed by Guy Marc Hinant and Fred Walheer - releasing records in Electronics/ Experimental/ Unclassical/ Drone/ Noise/ Concrete/ Spoken Words/ Rare recordings/ Rituals genres.

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