An Anthology Of Noise & Electronic Music #5

by Sub Rosa Label

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1.	Rogelio Sosa - Vinylika 07:02	buy track
2.	Christian Galaretta - Marañon (Part VI) 10:27
3.	Li Chin Sung aka Dickson Dee - Shame (Tetsuo Furudate Sound Materials Remix) 04:57	buy track
4.	François-Bernard Mâche - Prélude 05:28	buy track
5.	Richard Maxfield - Pastoral Symphony 04:01	buy track
6.	Wolf Vostell - Elektronicher Dé-Collage. Happening Raum. 03:00	buy track
7.	Charlemagne Palestine - Seven Organism Study 07:53	buy track
8.	André Boucourechliev - Texte 2 04:36	buy track
9.	Helmut Lachenmann - Scenario 12:30	buy track
10.	Alireza Mashayekhi - Shur, Op. 15 06:28	buy track
11.	Claude Ballif - Points, Mouvements 10:14	buy track
12.	Mauricio Kagel - Antithèse 09:21	buy track
13.	Vladimir Mayakovsky - And Would You? 00:32	buy track
14.	Raoul Hausmann - Fmsbw 00:45	buy track
15.	Gil Joseph Wolman - Mégapneumies, 24 Mars 1963 04:54	buy track
16.	Léo Kupper - Electro-Poème 05:54	buy track
17.	Josef Anton Riedl - Leonce Und Lena 02:17	buy track
18.	Sten Hanson + Henri Chopin - Tête À Tête 05:08	buy track
19.	Dajuin Yao - Satisfaction Of Oscillation 09:27	buy track
20.	Pere Ubu - Sentimental Journey 07:01	buy track
21.	Ground Zero - Live 1992 01:01	buy track
22.	Masonna / Yamazaki "Maso" Takushi - Spectrum Ripper (Part I-II-III) 03:32	buy track
23.	Sutcliffe Jügend - Blind Ignorance 05:39	buy track
24.	Club Moral - L'enfer Est Intime 06:32	buy track
25.	Dub Taylor - Lumière (Part I) 17:11	buy track

about

The fifth volume of seven published
from 2001 to 2011, curated, noted and edited
by Guy Marc Hinant.

Here I am, for the fifth time, facing this impossible task no one has asked me to do. How can one bring together the history of electronic and concrete music to the history of noise music? For this volume, I want to highlight pieces illustrating a technique (Claude Ballif's Points,Mouvements), a country (Shur, Op. 15 by Alireza Mashayekhi), a studio (Helmut Lachenmann at the IPEM), there are also historic (François Bernard Mâche's Prélude), and radical (Spectrum Ripper by Masonna) works that have ripped apart ancient definitions. All this organized with INTERNATIONALISM in mind and, for once, a focus on the voice - not as sung words, their traditional facet in music (from pop songs to lieder and operas), but as the word itself, recited, distorted, rendered abstract or disaggregated and screamed (the incantation so often a part of rock and noise music).

Sub Rosa presents the fifth volume of the highly-acclaimed and successful Anthology of Noise & Electronic Music series. This installment highlights pieces illustrating a technique (Claude Ballif's "Points, Mouvements"), a country ("Shur, Op. 15" by Alireza Mashayekhi), a studio (Helmut Lachenmann at the IPEM), and historic (François Bernard Mâche's "Prélude"), and radical ("Spectrum Ripper" by Masonna/Yamazaki "Maso" Takushi) works that have ripped apart ancient definitions. All this organized with internationalism in mind and, for once, a focus on the voice -- not as sung words, their traditional facet in music (from pop songs to lieder and operas), but as the word itself, recited, distorted, rendered abstract or disaggregated and screamed (the incantation so often a part of rock and noise music). Like the previous four volumes, this fifth installment is an absolute must for anyone interested in the roots and history of electronic music, with many previously unpublished, rare tracks comprising more than 2 ½ hours of music. The 2CD comes in a deluxe digipack sleeve with an extensive 54-page booklet. The Jazz Loft

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released May 27, 2017

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Sub Rosa Label Brussels, Belgium

Record and production company managed by Guy Marc Hinant and Fred Walheer - releasing records in Electronics/ Experimental/ Unclassical/ Drone/ Noise/ Concrete/ Spoken Words/ Rare recordings/ Rituals genres.

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